设计与多媒体

short-form-video

iart-ai/tiktok-…o-skills

This skill should be used when the user asks to "make a Reels/TikTok/YouTube Shorts video", "build a short-form video template", "write a hook for a short", "edit for retention", "add pattern interrupts", "make a video loop", "fix the first 3 seconds", "pace cuts for a vertical video", or "set up 9:16 safe areas". Covers the hook→retention→loop grammar of vertical short-form (distinct from a launch hype film).

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安装命令

npx skills add https://github.com/iart-ai/tiktok-video-skills --skill short-form-video

SKILL.md

Short-Form Video

Engineer a 9:16 video that survives the swipe. Short-form is not a small launch film — it is a retention machine: a hook that earns the first second, pattern interrupts that reset attention every few seconds, and often a loop that buys watch-time past 100%. The craft is timing, not polish.

When to use

  • Reels / TikTok / YouTube Shorts (7–60s, vertical 9:16).
  • Retention editing: fixing drop-off, adding pattern interrupts, tightening pacing.
  • Hooks, seamless loops, repeatable short-form templates (one design, many topics).

Story structure (the retention contract)

Short-form storytelling is a contract with the viewer's thumb: every second must re-earn the next one. The narrative is shaped backwards from the retention curve, not forwards from an intro. Lock these before touching the timeline.

  • One idea per video. A short carries exactly one payoff. A second idea splits attention and the curve sags in the middle — make it a second video instead. If you can't name the single takeaway in a sentence, you don't have a short yet.
  • Open a loop in the first ~3s, close it last. The hook poses a question or gap (the open loop); the payoff answers it. The viewer stays because the loop is open — so never answer it early, and never bury the payoff under setup.
  • No dead air. Every beat either advances the idea or resets attention. Cut anything that does neither. Silence, slow ramps, throat-clearing intros ("hey guys, in this video…") are where viewers swipe.
  • Why the curve, not the cut, is the unit of work. The algorithm distributes whatever holds the per-second retention curve flat; a "good" edit that flattens the curve loses to an ugly one that keeps it up. You are editing the curve, and the hook gates everything after it — fix it first.